how white women would both challenge and propagate dominant Orientalist/imperialist views
how white women would both challenge and propagate dominant Orientalist/imperialist views
Lewis’s chapter on gendering Orientalism discusses how white women would both challenge and propagate dominant Orientalist/imperialist views. Can you name some ways in which Isabella Bird’s illustrations (also of Malaya, which included Singapore) offer such a gendered view? How might they challenge or confirm views held in Picture
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